From Xu Bing’s Early Works to Dragonfly Eyes . When reading Square Word Calligraphy, such feeling is joyfully resolved with the sudden revelation that the work does contain “real” text. A video titled ''Elementary Square Word Calligraphy Instruction,' is played on a monitor in the exhibition space, capturing the audiences' attention and inviting them to participate in the class. ''Wu'' in Chinese has various meanings, including both ''misunderstanding'' and ''enlightenment'' in the Chan (Zen) sense. Dragonfly Eyes. But in fact the result was just the opposite: the pigs themselves were completely unfazed, and blithely ignoring their human onlookers pursued their lovemaking with great gusto. To the artist, the process of caring for and working with the pigs constitutes ''a kind of ongoing sociological experiment, touching on myriad issues. The heroes of the story are Qing Ting and Ke Fan, which are played by different, unsuspected individuals who have been caught on surveillance cameras. The narrative is as disturbing as classical: a tragic love story of the 21st century? Panos Kotzathanasis. Eventually an image of a landscape emerges, reminiscent of East Asian painting. Xu has proven a vigilant and farsighted observer of the era. He collected a huge amount of material, and tailored them together to tell a story. This work was created as an extension of an earlier project: A Case Study of Transference. In 1620 Hui Su created a grid of 841 characters that can be read in any number of directions and combinations. Chinese artist Xu Bing compiled his directorial debut from thousands of hours of footage from security cameras. As they rise into the air, the characters “de-evolve” from the simplified system to standardized Chinese text and finally to the ancient Chinese pictograph hasde upon a bird’s actual appearance. The debut feature by Chinese artist Xu Bing, a Chinese artist known for his printmaking and installations, was made from 10,000 hours of public accessible surveillance camera recordings. DRAGONFLY EYES (2017) SCREENING AND Q&A WITH DIRECTOR XU BING FRIDAY, SEPTEMBER 7, 2018 7PM, WHC AUDITORIUM. Xu Bing’s Dragonfly Eyes. Its feasibility is based on the following principles: firstly, utilize free online services such as auction and sales hosting, money transfers, and even online teaching to achieve the lowest possible costs; secondly, benefit everyone involved in the project; thirdly, utilize regional economic discrepancies ($2.50 is a subway ride in New York, but it can plant ten trees in Kenya). Xu Bing. Dragonfly Eyes, the first feature film from Beijing installation artist Xu Bing, is at least sociologically interesting: It’s comprised largely of repurposed CCTV surveillance camera footage that’s been tweaked and fussily annotated (“road cement grey #15273”) so as to give the impression of an omniscient, voyeuristic A.I. On the surface, Wu Street appears to be no more than an elaborate practical joke; yet it poses serious questions concerning the contemporary art system, the often arbitrary nature of critical language and the basis for assessing the value of art. The nine “keywords” of “World Picture” can be generally divided into three categories and sources. From Frye Art Museum, Xu Bing 徐冰, Dragonfly Eyes Poster (2015), Digital Print But Xu Bing’s creation of a narrative – assisted by voiceover actors and foley artists to fill out the soundtrack – sets up endless other conceptual curiosities, as seemingly infinite as the eyes on a dragonfly’s head. After developing this lettering system, Xu Bing created a new installation piece modeled on adult literacy classes within the exhibition space. He’s recorded 300 times each day. Film Review: Dragonfly Eyes (2017) by Xu Bing. He then hired a professional translator to translate the altered text into Chinese, making it even more incomprehensible, and subsequently published the falsified, translated article in a prestigious art magazine in China under the pseudonym of Jason Jones. But Xu Bing’s creation of a narrative – assisted by voiceover actors and foley artists to fill out the soundtrack – sets up endless other conceptual curiosities, as seemingly infinite as the eyes on a dragonfly’s head. Xu Bing states: ''These two creatures, devoid of human consciousness, yet carrying on their bodies the marks of human civilization, engage in the most primal form of 'social intercourse.' In watching the behavior of the two pigs, we are led to reflect on human behavior.'' Viewing the reflection of the moon on a pool of water from their place on the branch of a tree, the monkeys decided to link their arms and tails together to touch what they thought was the real moon. 81 min. He’s recorded 300 times each day. 81 'China; 2017; Add to favourites. As personal computer and the internet become increasingly integrated into daily life, the lexicon of digital icons grows accordingly, and the symbolic language of Book from the Ground has been further updated, augmented, and complicated. I’ve wanted to make a film from surveillance footage since 2013, but I had no access to the necessary resources. Dragonfly Eyes. The artist, known for his experimental calligraphy and bookbinding art, is one of the most important representatives of contemporary Chinese art. Dragonfly Eyes. Panos Kotzathanasis panos.kotzathanasis pkotzathanasis PKotzathanasis. 2017. This by turns shocking and poetic, but always fascinating, experiment reflects on our obsessive visual culture. Few images come closer to reality than those recorded by surveillance cameras. Firstly, original concepts in Xu Bing’s artistic career; secondly, issues and theoretical viewpoints that appear frequently in the numerous reviews on Dragonfly Eyes; thirdly, specific concepts and methods in the production process of Dragonfly Eyes. Poetry in Motion. By Robert Koehler In Cinema Scope Online, TIFF 2017. PHOTO | VIDEO. What ultimately was exposed was not any sense of discomfort or displacement on the part of the pigs, but the limitations and the inability to adapt of the human audience. Chinese artist Xu Bing compiled his directorial debut from thousands of hours of footage from security cameras. Dragonfly Eyes 2017 directed by Xu Bing. The dust was applied to the floor with a leaf blower and allowed 24 hours to settle. Prominent visual artist Xu Bing’s first feature film is composed solely of footage from China’s millions of surveillance cameras, altering viewers’ concepts of reality and showing them just how often they are being watched Medium: Performance, mixed media installation / Ink and live pigs, When this work was initially performed in Beijing, it revealed an unexpected and surprising dynamic between the spectators and the spectacle. Xu Bing’s Dragonfly Eyes and A Deconstructive Trip of Film Viewing hao ong Hua When the film finished and the c edits stated olling on the sc een, I immediately felt that this could ha dly be called a good film. Installation artist Xu Bing pits this watching world – 10,000 hours of found footage from 28,000 cameras across China uploaded to the cloud – against simple melodrama, young love and fragility. It has a running time of 1hour 21minutes and is in Mandarin with English subtitles. 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